This paper examines animism as an antidote to semiotic capitalism and analyses the latter’s magical framework drawing on Marx’s concept of “commodity fetishism” and Frazer’s notion of “sympathetic magic.” Additionally, I explore how animist worlds function, in dialogue with Deleuze and Guattari’s concepts of “plane of composition” and “smooth space,” from whose combination I elaborate the notion of “field of intensities.” Lastly, I propose to define contemporary animism as experimental, isomeric, liminal, and chaosmic in close conversation with recent works by Donna Haraway, Elizabeth Povinelli, and Hilan Bensusan; furthermore, I describe animism as a way out of capitalist ruins towards what Nietzsche called the “sea opened” by God’s death.