The Schelling’s work entitled «Bruno» it seems to be one among tho-se that are devoted to the Philosophy of Nature of Schelling. However it is written during the aesthetic period of the author, short after the System of the Trascendental Idealism, when he defines beauty as the presence of the infinite in what is finite; and this definition implies nature and the universe. The origi-nality, relevance and beauty of this dialog has been almost ignored. In this ar-ticle the surprising aesthetically implications of this peculiar text are analyzed.