We analyze a new creative approach specific to illustration: corporeal illustration. This concept addresses the three-dimensionality of graphic illustration from a contemporary practice perspective, engaging with authors such as Rancière, Berger, and Vygotsky. Its implementation in visual and artistic theory allows us to name and characterize the corporeality of the graphic-illustrative image within a specific and comprehensive concept. The effective three-dimensionality of images is an emerging artistic reality that defines an important and significant line of development in the fields of creation and illustration.