From traditional Spanish scenography to analogy with the European avant-gardes from 1920 to 1936

Abstract

Scenography of the Spanish theater of the 1920s and 1930s. Paying special attention to the avant-garde proposals as we consider the essentials to understand the new spatial evolution. To that end, it has been convenient to contextualize European theatrical scenery. At the European level, special attention will be paid to Gordon Craig, the Bauhaus and the Russian Ballets.

While the Spanish scenery, which is the pillar to be treated, will be divided into two; traditional and avant-garde. Giving priority to the aesthetics that the proposals of the authors Rivas Cherif and García Lorca will provide us.