Palabras clave
musical theater
traditions
theatrical arts
cultural exchange teatro nacional
teatro musical
tradiciones
artes dramáticas
cambios culturales
Cómo citar
- Resumen 69
- DESCARGAR PDF (English) 18
Resumen
El teatro musical nacional de China enfatiza su singularidad y su estrecha conexión con las tradiciones culturales y filosóficas de China. Esta forma de arte, que se originó entre los siglos VII y X d. C. y alcanzó su apogeo durante la dinastía Yuan, refleja tradiciones centenarias, lo que la convierte en un elemento importante de la identidad cultural china. Para entender el teatro musical, hay que considerar su papel en la sociedad, donde la música y los rituales eran vistos como encarnaciones de conceptos filosóficos taoístas. La integración de textos canónicos como "Shijing" en las prácticas culturales de esa época subraya la importancia de esta forma de arte en la configuración de la sociedad y su cosmovisión. El desarrollo de las artes teatrales en China representa un proceso complejo y multifacético que ha pasado por diversas etapas de evolución y transformación. Desde el período temprano de la dinastía Song, cuando las formas teatrales apenas comenzaban a tomar forma, hasta el florecimiento del drama zaju durante la era Yuan. Las conquistas, la división del país y la posterior reunificación bajo el dominio mongol contribuyeron no sólo al intercambio cultural y la interacción entre las tradiciones del norte y del sur, sino también al surgimiento de nuevas formas dramáticas.
Citas
Abramova H.A. Traditional culture of China and intercultural interaction: (socio-philosophical aspect). Chita: CHITSTU, 1998. 303 p.
Belozerova V. G. Traditional art of China : in 2 volumes, 2016. 275 p.
Blagova T.Y. Chinese traditional and theatrical costume. A study guide.– Blagoveshchensk: Amur State University, 2012. – 52s.
Budaeva T. B. Chinese musical drama kunqu: a brief overview of the history and features of the genre // Actual problems of higher musical education. 2016. №3 (41). URL: https://cyberleninka.ru/article/n/kitayskaya-muzykalnaya-drama-kuntsyuy-kratkiy-obzor-istorii-i-osobennostey-zhanra
Confucian “Four Books” (“Si shu”): trans. from kit. and comment. A. I. Kobzev et al. ; introduction by L. S. Perelomov ; [ed. by L. S. Perelomov]. - Moscow : “Oriental Literature” of the Russian Academy of Sciences, 2004. 431 p
Demenova, V. V. The Art of Asia: China and Japan. The Ministry of Education and Science grew. Federation, Ural. feder. un-T. Yekaterinburg : Ural Publishing House. unita, 2017. 60 p.
Dmitriev S. V. Zhang Heng: life path and contribution to human civilization // Society and the state in China. 2012. No.1. URL: https://cyberleninka.ru/article/n/chzhan-hen-zhiznennyy-put-i-vklad-v-chelovecheskuyu-tsivilizatsiyu (date of reference: 06/21/2024).
Drinkina T. I., Li Rui The origins of the formation of a new Chinese classical dance // Tsarskoye Selo readings. 2017. №. URL: https://cyberleninka.ru/article/n/istoki-stanovleniya-novogo-kitayskogo-klassicheskogo-tantsa
Fu Jin. The History of Chinese Theater : a monograph; translated from Chinese by Song Yinnan, A. I. Osmachko ; foreword by S. A. Serova. - Moscow : Publishing House of the Moscow University, 2023 (Saratov). - 549 p .
Fu Lin. [付令。术术术的的]. The problem of continuity and development of the art of changing Bianlian masks in the Sichuan opera // [. ...... Bulletin of the Higher Technical School of Textiles. 2013. No. 3. pp. 78-80
Fu Shuai. The role of the costume and mask in the Beijing Opera // Izvestia of the A. I. Herzen Russian State Pedagogical University. St. Petersburg : Publishing House of the A. I. Herzen State Pedagogical University, 2012. No. 152. pp. 157-163.
Go Weigen. The history of makeup. Shanghai: Publishing House “Literature and Art”, 1992. pp. 14-15.
Hu Yanli Chinese Opera as an intangible cultural heritage of China // Society: philosophy, history, culture. 2015. №4. URL: https://cyberleninka.ru/article/n/kitayskaya-opera-kak-nematerialnoe-kulturnoe-nasledie-kitaya
Keidong, I. B. The text “Li ji” as a historical and cultural phenomenon of Chinese civilization // Slovo: folklore-dialectological almanac. 2010. №8. URL: https://cyberleninka.ru/article/n/tekst-li-tszi-kak-istoriko-kulturnyy-fenomen-kitayskoy-tsivilizatsii
Laktionova E. A., Martynova Yu.A. The influence of philosophical and religious teachings on the culture of China of the Song epoch (960-1279) // Modern oriental studies. 2021. №2. URL: https://cyberleninka.ru/article/n/vliyanie-filosofsko-religioznyh-ucheniy-na-kulturu-kitaya-epohi-sun-960-1279-gg
Manukhin V. S., Tang Xianzu’s drama “Ho Xiao-yu, or The History of the Purple Hairpin”, in: Questions of Chinese Philology, vol. 2, Moscow, 1974
Mayatsky, D. I. The famous play in the Nanxi genre “Pipa ji” (“Lute”) Gao Ming : XIV century. : abstract of the dissertation of the candidate of Philological Sciences : 10.01.03 / Dmitry Ivanovich Mayatsky; [Place of protection: St. Petersburg State University]. - St. Petersburg, 2009. - 24 p.
Neglinskaya M. A. On current trends in contemporary Chinese art and prospects for its study // Society and the state in China. 2010. No.1. URL: https://cyberleninka.ru/article/n/ob-aktualnyh-tendentsiyah-sovremennogo-kitayskogo-iskusstva-i-perspektivah-ego-izucheniya (date of application: 06/20/2024).
Neglinskaya M. A. On stylistic trends in architecture, fine arts and crafts of the Yuan and Ming eras // Society and the state in China. 2012. №3. URL: https://cyberleninka.ru/article/n/o-stilevyh-tendentsiyah-v-arhitekture-izobrazitelnom-iskusstve-i-remesle-epoh-yuan-i-min
Ruan Yongchen. Symbolism and convention in the art of the Beijing Opera // Historical, philosophical, political and legal sciences, cultural studies and art criticism. Questions of theory and practice. Tambov : Diploma, 2012. No. 9 (23) : in 2 hours I. C. 84-88.
Sima Qian Historical notes (“Shi ji”) / Translated from the kit and commentary by R. V. Vyatkin and V. S. Taskin; Introduction by M. V. Kryukov. - Moscow : Nauka, 1972-. - 222 p.
Smertin Yu. G. Chinese classical poetry in the context of language, history and culture. Ministry of Education and Science of the Russian Federation, Kuban State University. - Krasnodar : Kuban State University, 2020. 367 p.
Sun, Juan. The musical theater of China of the XVIII - early XX centuries: Beijing opera and its distinctive features / Juan Sun And the Belarusian tradition of the European cultural pastors: 65 gadou paslya Vyalshai Peramop : dacl., prachyt. on XXXV click. navuk. canf. asp. BDUKM (Mshsk, 15-16 kras. 2010). - Dep. u DU “Bel 1SA” 09/29/2010, No. D201027. - pp. 138-143.
The art of Old China in the works of N. A. Vinogradova / ed. V. P. Tolstoy. M., 2016.
Voronin S.N. Human self-improvement in Confucian education // Education and Religion: Collection of scientific articles / Ed. S.A. An. Barnaul: Publishing House of BSPU, 2008. Pp. 77-82.
Voronin, S.N. The theme of labor in the art and culture of China // Labor and capital in modern society: Collection of scientific articles / Edited by S.A. An. Barnaul: Publishing House of BSPU, 2006. pp. 132-137.
Ying Qiuhua. Modern Chinese lacquer painting and materials // Bulletin of the Nanyang Institute. Wuxi, 2007. No. 12.
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0.
Derechos de autor 2024 HAN LIN