Keywords
musical theater
traditions
theatrical arts
cultural exchange teatro nacional
teatro musical
tradiciones
artes dramáticas
cambios culturales
How to Cite
- Abstract 67
- DESCARGAR PDF 18
Abstract
China's national musical theater emphasizes its uniqueness and close connection with China's cultural and philosophical traditions. This art form, which originated in the 7th to 10th centuries AD and reached its peak during the Yuan Dynasty, reflects centuries-old traditions, making it an important element of Chinese cultural identity. To understand musical theater, one must consider its role in society, where music and rituals were seen as embodiments of Daoist philosophical concepts. The integration of canonical texts such as "Shijing" into the cultural practices of that time underscores the significance of this art form in shaping society and its worldview. The development of theatrical arts in China represents a complex and multifaceted process that has undergone various stages of evolution and transformation. From the early period of the Song Dynasty, when theatrical forms were just beginning to take shape, to the flourishing of zaju drama during the Yuan era, Chinese theater has undergone significant cultural and political changes. Conquests, division of the country, and subsequent reunification under Mongol rule contributed not only to cultural exchange and interaction between northern and southern traditions but also to the emergence of new dramatic forms.
References
Abramova H.A. Traditional culture of China and intercultural interaction: (socio-philosophical aspect). Chita: CHITSTU, 1998. 303 p.
Belozerova V. G. Traditional art of China : in 2 volumes, 2016. 275 p.
Blagova T.Y. Chinese traditional and theatrical costume. A study guide.– Blagoveshchensk: Amur State University, 2012. – 52s.
Budaeva T. B. Chinese musical drama kunqu: a brief overview of the history and features of the genre // Actual problems of higher musical education. 2016. №3 (41). URL: https://cyberleninka.ru/article/n/kitayskaya-muzykalnaya-drama-kuntsyuy-kratkiy-obzor-istorii-i-osobennostey-zhanra
Confucian “Four Books” (“Si shu”): trans. from kit. and comment. A. I. Kobzev et al. ; introduction by L. S. Perelomov ; [ed. by L. S. Perelomov]. - Moscow : “Oriental Literature” of the Russian Academy of Sciences, 2004. 431 p
Demenova, V. V. The Art of Asia: China and Japan. The Ministry of Education and Science grew. Federation, Ural. feder. un-T. Yekaterinburg : Ural Publishing House. unita, 2017. 60 p.
Dmitriev S. V. Zhang Heng: life path and contribution to human civilization // Society and the state in China. 2012. No.1. URL: https://cyberleninka.ru/article/n/chzhan-hen-zhiznennyy-put-i-vklad-v-chelovecheskuyu-tsivilizatsiyu (date of reference: 06/21/2024).
Drinkina T. I., Li Rui The origins of the formation of a new Chinese classical dance // Tsarskoye Selo readings. 2017. №. URL: https://cyberleninka.ru/article/n/istoki-stanovleniya-novogo-kitayskogo-klassicheskogo-tantsa
Fu Jin. The History of Chinese Theater : a monograph; translated from Chinese by Song Yinnan, A. I. Osmachko ; foreword by S. A. Serova. - Moscow : Publishing House of the Moscow University, 2023 (Saratov). - 549 p .
Fu Lin. [付令。术术术的的]. The problem of continuity and development of the art of changing Bianlian masks in the Sichuan opera // [. ...... Bulletin of the Higher Technical School of Textiles. 2013. No. 3. pp. 78-80
Fu Shuai. The role of the costume and mask in the Beijing Opera // Izvestia of the A. I. Herzen Russian State Pedagogical University. St. Petersburg : Publishing House of the A. I. Herzen State Pedagogical University, 2012. No. 152. pp. 157-163.
Go Weigen. The history of makeup. Shanghai: Publishing House “Literature and Art”, 1992. pp. 14-15.
Hu Yanli Chinese Opera as an intangible cultural heritage of China // Society: philosophy, history, culture. 2015. №4. URL: https://cyberleninka.ru/article/n/kitayskaya-opera-kak-nematerialnoe-kulturnoe-nasledie-kitaya
Keidong, I. B. The text “Li ji” as a historical and cultural phenomenon of Chinese civilization // Slovo: folklore-dialectological almanac. 2010. №8. URL: https://cyberleninka.ru/article/n/tekst-li-tszi-kak-istoriko-kulturnyy-fenomen-kitayskoy-tsivilizatsii
Laktionova E. A., Martynova Yu.A. The influence of philosophical and religious teachings on the culture of China of the Song epoch (960-1279) // Modern oriental studies. 2021. №2. URL: https://cyberleninka.ru/article/n/vliyanie-filosofsko-religioznyh-ucheniy-na-kulturu-kitaya-epohi-sun-960-1279-gg
Manukhin V. S., Tang Xianzu’s drama “Ho Xiao-yu, or The History of the Purple Hairpin”, in: Questions of Chinese Philology, vol. 2, Moscow, 1974
Mayatsky, D. I. The famous play in the Nanxi genre “Pipa ji” (“Lute”) Gao Ming : XIV century. : abstract of the dissertation of the candidate of Philological Sciences : 10.01.03 / Dmitry Ivanovich Mayatsky; [Place of protection: St. Petersburg State University]. - St. Petersburg, 2009. - 24 p.
Neglinskaya M. A. On current trends in contemporary Chinese art and prospects for its study // Society and the state in China. 2010. No.1. URL: https://cyberleninka.ru/article/n/ob-aktualnyh-tendentsiyah-sovremennogo-kitayskogo-iskusstva-i-perspektivah-ego-izucheniya (date of application: 06/20/2024).
Neglinskaya M. A. On stylistic trends in architecture, fine arts and crafts of the Yuan and Ming eras // Society and the state in China. 2012. №3. URL: https://cyberleninka.ru/article/n/o-stilevyh-tendentsiyah-v-arhitekture-izobrazitelnom-iskusstve-i-remesle-epoh-yuan-i-min
Ruan Yongchen. Symbolism and convention in the art of the Beijing Opera // Historical, philosophical, political and legal sciences, cultural studies and art criticism. Questions of theory and practice. Tambov : Diploma, 2012. No. 9 (23) : in 2 hours I. C. 84-88.
Sima Qian Historical notes (“Shi ji”) / Translated from the kit and commentary by R. V. Vyatkin and V. S. Taskin; Introduction by M. V. Kryukov. - Moscow : Nauka, 1972-. - 222 p.
Smertin Yu. G. Chinese classical poetry in the context of language, history and culture. Ministry of Education and Science of the Russian Federation, Kuban State University. - Krasnodar : Kuban State University, 2020. 367 p.
Sun, Juan. The musical theater of China of the XVIII - early XX centuries: Beijing opera and its distinctive features / Juan Sun And the Belarusian tradition of the European cultural pastors: 65 gadou paslya Vyalshai Peramop : dacl., prachyt. on XXXV click. navuk. canf. asp. BDUKM (Mshsk, 15-16 kras. 2010). - Dep. u DU “Bel 1SA” 09/29/2010, No. D201027. - pp. 138-143.
The art of Old China in the works of N. A. Vinogradova / ed. V. P. Tolstoy. M., 2016.
Voronin S.N. Human self-improvement in Confucian education // Education and Religion: Collection of scientific articles / Ed. S.A. An. Barnaul: Publishing House of BSPU, 2008. Pp. 77-82.
Voronin, S.N. The theme of labor in the art and culture of China // Labor and capital in modern society: Collection of scientific articles / Edited by S.A. An. Barnaul: Publishing House of BSPU, 2006. pp. 132-137.
Ying Qiuhua. Modern Chinese lacquer painting and materials // Bulletin of the Nanyang Institute. Wuxi, 2007. No. 12.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2024 HAN LIN