Keywords
Hipermodernidad
Ser técnico
Objeto técnico Transductive act
Hypermodernity
Technical being
Technical object
How to Cite
- Abstract 42
- DESCARGAR PDF (Español (España)) 21
Abstract
This article explores the approach to aesthetics in the philosophy of Gilbert Simondon, delimited in his Theory of Transductivity, and the process of individuation, which is reflected in the framework of hypermodernity, and a new conception of art; to move it towards the interpretation of the creative process and artistic production in the very expression of bio art, through the piece Nature? by the artist Marta de Menezes. Thus, the transductive act is observed as an inherent element in the process of creation, typical of a critical art, which develops in the world of the biologies of the possible, where the close and dependent relationship between the technical object and the technical being, as Simondon puts it, is explored. Therefore, in this article, the transductive act is proposed as an element that is possible to identify in the processes of artistic creation in bio art.
References
Baudrillard, J. (2000) El crimen perfecto. (3ª ed.). Anagrama.
Berman, M. (2004) El reencantamiento del mundo. (9ª ed.). Cuatro vientos.
Diodato, R. (2004) Estética de lo virtual. Universidad Iberoamericana.
Esposito, R. (2006) Bíos, biopolítica y filosofía. Grama.
Farmer, J. y Aletta B. (1992) Vida artificial: la evolución futura. Artificial Life II, Santa Fe Institute of Studies in the Science of Complexy, vol. X, 815-840.
Feyerabend, P. (2008) Adiós a la razón. Tecnos.
Giannetti, C. Arte y diseño en la era digital. Arte y parte: revista de arte - España, Portugal y América, No. 17, 44-49.
Hernández, I. y Raúl. B. (2010) Estética, vida artificial y biopolítica: Expansiones en la Evolución cultural y biológica a través de la tecnología. Pontificia Universidad Javeriana.
Jameson, Frederic. (1991) El posmodernismo o la lógica cultural del capitalismo avanzado. Paidós.
Lyotard. J. (1991) La condición postmoderna. (2ª ed.), R.E.I.
Onfray, M. (2002) Teoría del cuerpo enamorado: por una erótica solar. Pretextos.
Quéau, P. (1995) Lo virtual: virtudes y vértigos. Paidós.
Pelayo P. (2006) El caso Simondon, Revista de Filosofía, Núm. 2, Bitácora 32, Eikasía, p. 1.
Sebeok, T. (2001) Biosemiotics: itsroots, proliferation, and prospects. Semiotica 134, 61-78.
Simondon, G. (2005) L´individuation à la lumière des notions de forme et d´information. Trad. Julián Ferreyra, Million.
Simondon, G. (2007) El modo de existencia de los objetos técnicos. Prometeo.
Weibel, P. (2006) La condición postmedial. Revista Austral de Ciencias Sociales, No. 10, Universidad Austral de Chile, 137-141.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2024 KARINA ERIKA ROJAS CALDERÓN