La contribución del pintor Antonio Agudo al conjunto del Viacrucis de la Basílica del Gran Poder de Sevilla

Abstract

The general objective of this work is to analyze, from the hermeneutical experience, the personal vision of the world of the artist Antonio Agudo in reference to the work “Viacrucis” made for the Basilica del Gran Poder in Seville. As a particular and representative work of this Viacrucis, the station “Jesus is nailed to the cross” has been specifically chosen, due to its plastic execution and its particular symbology. From this way of seeing or, rather, from that artistic vision, totally immersed in a cultural and social panorama of a Baroque Seville, Agudo makes art his vehicle of expression, and allows him to capture a very personal vision of the world.