Logos/Collage. Ensayo sobre el espacio neutro y el arte de lo inverosímil

Abstract

Already it cannot fit doubt that the extraordinary performances of collage do not correspond to him only as artistic artefact, but also as ontological device (expressive medium for the contemporaneity of  extreme heterogeneities). Specifically, collage provides the opportunity of an unparalleled propaedeutics to face the question about a Logos (for wich we follow some clues provided by Martin Heidegger) opened to the Unlikely in a vertiginous and hypercommunicative world that without denying the conformity of environing world (Umwelt), this Logos expands in neutral spaces that propitiate a great fluency of synapses. Just, Art becomes crucial insofar as it can accredit a new congregation of thinking in the area of affray between Communication (such as banner of Gestell of our time) and Meditation