Melampo & co .: the children's comic and the hierarchical stereotype of the man-animal relationship
DOI:
https://doi.org/10.12795/RiCH.2021.i17.02Keywords:
History of children's magazine, History of communication, History of culture, Speciesism, CómicAbstract
Each children's comic is a means of escape and at the same time deeply formative, because its message (explicit and implicit) is capable of generating interpretations of reality. An example is the eternal challenge between good and evil, which directs children to distinguish the right actions from the wrong ones. In the context of this role of comics in the constitution of a kind of 'guide to the underlying values of social relations', this contribution seeks to briefly define, through the analysis of some comics classics from the first half of the 20th century, what the representation of the animal world. Is it the idea (die hard) that human beings carry a "higher" consciousness and feelings that would also distinguish them from animals in the comics? Is that presumed sentimental 'inferiority' that allowed (and allows) to justify, in turn, the exploitation of the animal body is reinforced in them? How is this hierarchy expressed in the comics to strengthen (or, although more sporadically, contrast) a model attributable to the category of 'speciesism'?
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Accepted 2021-12-06
Published 2021-12-30
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