No. 20 (2007): LABORATORIO DE ARTE

Papers

• THE ILLUMINATION AT SEVILLE DURING THE FEFTEENTH CENTURY

  Rosario Marchena-Hidalgo

  9-30

  • pdf (Español (España))

• THE DECLINE OF MEDIEVAL CHIVALRY AND ITS ICONOGRAPHIC SURVIVAL IN THE MODERN AGE

  Carmen Vallejo-Naranjo

  31-53

  • pdf (Español (España))

• PEDRO DE VILLEGAS MARMOLEJO (1519-1596): NEW WORKS AND DOCUMENTS

  Juan Antonio Gómez-Sánchez

  55-80

  • pdf (Español (España))

• AN ALTARPIECE OF THE SCULPTOR JUAN GIRALTE AND THE PAINTER JUAN DE ZAMORA

  Antonio Joaquín Santos-Márquez

  81-94

  • pdf (Español (España))

• THE ABSENCE OF THE PAINTER FRANCISCO FRUTET

  Jesús Rojas-Marcos González

  95-113

  • pdf (Español (España))

• EL GIRALDILLO, THE WARRIOR WOMAN, AND HER CONECTION WITH THE LITTLE SCULPTURE

  María Jesús Sanz-Serrano

  111-120

  • pdf (Español (España))

• ALONSO MARTÍNEZ, SCULPTOR, AND HIS WORK IN THE BADAJOZ’S CATHEDRAL

  Fátima Halcón

  121-130

  • pdf (Español (España))

• THE PAINTER GASPAR DE QUEVEDO, HIS APPRENTICESHIP IN SEVILLE AND NEW WORKS IN CANARY ISLANDS

  Carlos Rodríguez-Morales

  131-139

  • pdf (Español (España))

• PEDRO ROLDÁN AND THE FUNERAL CHAPEL OF THE PAIVA IN THE SCHOOL OF SANTO ÁNGEL OF SEVILLE

  José Roda-Peña

  141-155

  • pdf (Español (España))

• CONTRIBUTIONS TO THE STUDY OF THE CIVIL ARCHITECTURE OF THE 18TH CENTURY IN JEREZ DE LA FRONTERA: THE VILLAPANÉS’S PALACE

  José Manuel Moreno-Arana

  157-181

  • pdf (Español (España))

• DOMINGO MARTÍNEZ AND JUAN DE ESPINAL: NEW ATTRIBUTIONS OF PAINTINGS OF THE EIGHTEENTH CENTURY SEVILLIAN SCHOOL

  José Fernández-López

  183-192

  • pdf (Español (España))

• THE ARTISTIC BACKGROUND OF CAETANO ALBERTO DA COSTA: THE LISBON PERIOD

  Francisco Lameira, Sílvia Ferreira

  193-202

  • pdf (Español (España))

• DESIGN AND PROJECTS FOR THE MISSING ALTARPIECE OF PARISH CHURCH OF SEVILLE OMNIUM SANCTORUM

  Alberto Fernández-González

  203-228

  • pdf (Español (España))

• A NEW COPY BY JOSÉ DEL CASTILLO OF THE MISSING FRESCOES BY LUCA GIORDANO AT THE CASÓN DEL BUEN RETIRO (MADRID)

  Antonio J. Albardonedo-Freire

  229-251

  • pdf (Español (España))

• A MOTHER OF PEARL CROSS IN THE CONVENT OF SAN ANTONIO DE PADUA IN SEVILLE

  David Chillón-Raposo, Pedro Luengo-Gutiérrez

  253-271

  • pdf (Español (España))

• NEW PAINTING BY THE MEXICAN ARTIST ANTONIO DE TORRES

  Magdalena Illán-Martín

  273-279

  • pdf (Español (España))

• THE WORKS OF THE SCULPTOR JUAN DE ASTORGA IN THE CHAPEL OF CUATROVITAS, AT BOLLULLOS DE LA MITACIÓN (SEVILLE)

  Francisco Amores-Martínez

  281-293

  • pdf (Español (España))

• SOME NEWS ABOUT THE CARVER JOSÉ MAYORGA AND THE SCULPTOR JUAN DE ASTORGA

  Francisco S. Ros-González

  295-308

  • pdf (Español (España))

• FROM JESUS COMPANY TO THE XIITH DUKE OF ALBA: THE COUNTRY ESTATE LOS ÁNGELES OF ALCALÁ DE GUADAÍRA (SEVILLA)

  Álvaro Recio-Mir

  309-337

  • pdf (Español (España))

• THE ARTISTIC HERITAGE FROM THE SALE OF RELIGIOUS LANDS FROM THE CONVENTS OF SANLUCAR DE BARRAMEDA

  Fernando Cruz-Isidoro

  339-362

  • pdf (Español (España))

• THE CATHEDRAL OF SEVILLE IN 1880: A REPORT BY ARCHITECTS MANUEL PORTILLO AND JUAN TALAVERA ON THE STATE OF THE BUILDING

  María del Valle Gómez de Terreros Guardiola

  363-372

  • pdf (Español (España))

• NEW CONTRIBUTIONS TO THE CATALOG OF THE CLAY SCULPTOR ANTONIO DE LAS PEÑAS Y LEÓN

  Joaquín Manuel Álvarez-Cruz

  373-389

  • pdf (Español (España))

• A SEVILLIAN WORK OF THE VALENCIAN PAINTER JOSÉ NAVARRO LLORENS

  Gerardo Pérez-Calero

  391-394

  • pdf (Español (España))

• CARLOS GONZALEZ RAGEL: EXPRESSIONISM OF THE EARLY TWENTIETH CENTURY

  Mercedes Díaz-Rodríguez

  395-418

  • pdf (Español (España))

• IDENTIFICATION AND ANALYSIS OF TWO MATISSE´S SEVILLIAN PAINTING, IN 1910 TO 1911

  Andrés Luque-Teruel

  419-442

  • pdf (Español (España))

• CALLIGRAPHY OF THE REASON: JOAQUIM CHANCHO

  José Luis Molina-González

  443-462

  • pdf (Español (España))

• “HON”. EL CUERPO HABITADO

  Fernando Martín-Martín

  463-478

  • pdf (Español (España))