THE TERM “HISTORICAL” IN FILM ART: A THEORETICAL APPROACH FROM A COMPARATIVE AND INTERNATIONAL PERSPECTIVE

Authors

  • Jürgen Haberleithner

DOI:

https://doi.org/10.12795/LA.2010.i22.23

Keywords:

film art, Luis García Berlanga, Ulrich Seidl, concept of history, theoritical model

Abstract

The present article deals with the concept of history in the relatively young fi lm art and provides a theoretical discussion with an empirical localization. The analysis includes specifi c examples taken from movies fi lmed by Luis García Berlanga (Spain) and Ulrich Seidl (Austria). As a conclusion, a two-axle model of history with qualitative and quantitative characteristics will be outlined.

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Published

2010-10-04

Issue

No. 22 (2010): LABORATORIO DE ARTE

Section

Papers

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.