AN INTERPRETATION OF SCULPTURED EMPTY SPACE OR “CHÖRA” LIKE A SUBJECTIVE PARTICIPATION OF SPECTATOR IN THE MASTERPIECE

Abstract

Analysis from greek antiquity until the xx century of the concept of the full space and empty space, with an interpretation of the oriental theory of the taoistic moral vacuum, exemplified in the sculpture of the xx century like: Alexander Archipenko, Henry Moore, Eduardo Chillida, y Jorge de Oteiza.