ANALOGIES ICONOGRÁFCAS: A PURPOSE OF ANDRES SERRANO AND HIS WORK “POLITICALLY INCORRECT”

Authors

  • Fernando Martín-Martín University of Seville. Spain

DOI:

https://doi.org/10.12795/LA.2015.i27.28

Keywords:

Visual Arts, Provocatve, Photographies, portrait, Religion

Abstract

This artcle reeks to make an iconographic and iconologycal analisis of tre work of photographies Andrés Serrano, paralells witht visual arts of past and present, ofering new interpretve considerations their most prominent themes.

Downloads

Download data is not yet available.

Downloads

Published

2015-10-20

Issue

No. 27 (2015): LABORATORIO DE ARTE

Section

Papers

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.