LA ESCULTURA ANIMADA EN EL ARTE ESPAÑOL. EVOLUCIÓN Y FUNCIONES

Authors

  • Francisco Cornejo Vega

DOI:

https://doi.org/10.12795/LA.1996.i09.14

Abstract

Panorarnic view of the Hispanic samples of lively sculptur. From the Antiquity until present -from the Astarté of the Carambolo to the dynamic sculptur of Angel Ferrant-; and pointing out several aims and functions that characterise this type of sculptur: religious, symbolic, ludic, commercial, dramatic and aesthetic.

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Published

1996-10-17