Abstract
This research starts from the need of interpreting the communicators training in Mexico through cinema. It is made through three insert variables in cinematographic speech: freedom, justice and tolerance. It is based in speech analysis from an inductive model: symbolic-epistemic-aesthetic mode, the data interpretation through a corpus of movies from USA, Europe and Latin America and it has as a stating point the cinematographic text, conformed by the ellipsis and the off-the-record. Thus seeks to identify the features to train and project communicators in cinema.
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Copyright (c) 2012 Abel Antonio Grijalva Verdugo, Rosario Olivia Izaguirre Fierro