Abstract
Desde un contexto histórico, este artículo pretende realizar un análisis formal de la obra de John Ford, con el fin de identificar los orígenes de una estética anticlássica, que marca la filmografía del director entre finales de las décadas de 1920 y 1940, y proponer la existência de un período manierista en la obra de uno de los grandes nombres del cine clásico de Hollywood.
References
ANDERSON, Lindsay (1999): About John Ford. London, Plexus.
BAZIN, André (1992): O que é o cinema? Lisboa, Livros Horizonte.
BEHLMER, Rudy (1993): Memo from Darryl F. Zanuck- The Golden Years at Twentieth Century-Fox. New York, Grove Press.
BOGDANOVICH, Peter (1978): John Ford (Revised and Enlarged Edition). Berkley, University of California Press.
BONITZER, Pascal (1985): “Le plan-tableau”, Cahiers du Cinéma, nº 370.
BOGDANOVICH, Peter (1998): This Is Orson Welles. New York, Da Capo.
BORDWELL, D, & STAIGER, J, & Thompson, K (1985): The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. New York, Columbia University Press.
BOXWELL, David, (2004): Four Sons, in senses of cinema. Available on the internet (19/12/2011) http://www.sensesofcinema.com/2004/cteq/four_sons.
BUSCOMBE, Edward (Ed) (1988): The BFI Companion to the Western. London, Andre Deutsch.
BUSCOMBE, Edward (2004): Horizons West (New Edition).London, BFI.
CAMPAN, V, y MENEGALDO, G (Eds.) (2003): Du Maniérisme au Cinéma. Paris, La Licorne.
CANHAM, Kingsley (1973): The Hollywood Professionals- Michael Curtiz, Raoul Walsh, Henry Hathaway. N.Y, Tantivy Press.
CASAS, Quim (2002): “Albores del western: Ford y otros pioneros”, in VVAA: El joven Ford. San Sebastian, Donostia Kultura, pp. 24-34.
COWIE, Peter (2004): John Ford and the American West. New York, Harry N. Abrams.
EYMAN, Scott (2000): Print the Legend- The Life and Times of John Ford. Baltimore-Maryland, Johns Hopkins.
EYMAN, S, & DUNCAN, P (Eds.) (2005): John Ford- A Filmografia completa. Taschen.
EYMAN, Scott (2010): “Empire of Dreams-The Epic Life of Cecil B. DeMille”. New York, Simon & Schuster.
FONSECA, M.S (1997): “Stagecoach -A Cavalgada Heróica”, in VVAA: John Ford- As Folhas da Cinemateca. Lisboa, Cinemateca Portuguesa, pp.128-131.
MADEIRA, Maria João, (Ed) (2011): “F.W. Murnau- As Folhas da Cinemateca”. Lisboa, Cinemateca Portuguesa-Museu do Cinema.
GALLAGHER, Tag (1986): “John Ford -The Man and His Films”. Los Angeles, University of California Press.
GITT, Robert, (2005): “What is the pre-release version?”. My Darling Clementine Special Edition dvd documentary. Warner Bros.
KITSES, Jim (2004): “Horizons West Directing the Western from John Ford to Clint Eastwood”. London, BFI.
LOSILLA, Carlos (2002): “El Fantasma de Tom Joad”, in VVAA: El joven Ford. San Sebastian, Donostia Kultura, pp. 35-42.
LOSSILA, Carlos (2003): “La Invención de Hollywood: O como olvidarse de una vez por todas del cine clásico”. Barcelona, Paidós.
MCBRIDE, Joseph (2004): “Searching for John Ford”. London. Faber & Faber.
MORDEN, Ethan (1989): “The Hollywood Studios”. Their unique styles during the Golden Age of movies. N.Y: Fireside.
PEARY, Gerald (Ed) (2001): “John Ford Interviews”. Jackson, University Press of Mississippi.
REDMAN, Nick (1998): “A Turning of the Earth: John Ford, John Wayne and the Searchers”. The Searchers Special Edition dvd documentary. Warner Bros.
ROBERTS, Ian (2008): “German Expressionist Cinema- The World of Light and Shadow”. London, Wallflower.
SALT, Barry (2009): “Film Style and Technology- History and Analysis (third edition)”. London. Starword.
SARRIS, Andrew (1996): “The American Cinema- Directors and Directions 1929- 1968”. Da Capo Press.
STUDLAR, G, & BERNSTEIN, M (Eds.) (2001): “John Ford Made Westerns- Filming the Legend in the Sound Era”. Bloomington, Indiana University Press.
THOMPSON, David (2010): “The New Biographical Dictionary of Film”. London, Little Brown.
WILLIS, Garry (1998): “John Wayne’s America”. New York, Simon & Schuster.
XAVIER, Ismail, (2005). “O discurso cinematográfico: a opacidade e a transparencia” (3ª edição revista e ampliada). São Paulo, Paz e Terra.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2012 Jorge Carrega