Abstract
When we think about studying films with dislocography is because we understand that the procedure for registering individual or group social movement implies a kind of production and "narrativization" (or narrative construction) other than what is done with the camera in a single environment (be it in movement or not). This paper presents the concept Dislocography, a term coined to describe a particularly disturbing feature of migration in the films we studied: long stretches in which the audiovisual narrative presents itself displacement of the characters, not only the starting and ending points, but mainly , your route.
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Copyright (c) 2012 Vicente Gosciola