Abstract
Today the film is increasingly presented from an artistic construction from multiple narratives, transmedia storytelling or narrative called transmedia. But this narrative model is more common in fiction products, especially its commercial property and entertainment. Against this we present the analysis of a product film is the documentary reality and Brazil 33, produced and directed by Kiko Goifman, which has a feature script structure transmedia products from six "texts" and from three different perspectives: narrative cinema, journalism and transmediación. Hopefully, after work, to propose new studies on transmedia journalism, audiovisual genres, narratives of reality and enable increased production of documentary scripts transmedia property.
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Copyright (c) 2012 Denis Porto Renó, Raquel Longhi, Sandra Ruiz