The four devourings. Iconophagy and anthropophagy in communication and culture
PDF (Español (España))

Keywords

imagen
cuerpo
consumo de imágenes
antropofagia
iconofagia
comunicación image
body
image consumption
anthropophagy
iconophagy
communication

How to Cite

Baitello Junior, N. . (2022). The four devourings. Iconophagy and anthropophagy in communication and culture. COMMUNICATION. International Journal of Audiovisual Communication, Advertising and Cultural Studies, 1(2), 159–168. https://doi.org/10.12795/comunicacion.2003.v01.i02.07
Views
  • Abstract 100
  • PDF (Español (España)) 39

Abstract

The last century as experience a boom of visibility triggered by the increasing image production. We have, thus, begun to share our space and lifetime with them, granting them the status of human beings. Its inteligence and independency are surprising and it can lately be said that they also own a will of its own, fot they know exactly what they want to obtain from other images and us, three dimensional beings, made of flesh and bones. The device of appropiating someone elses strengths was what Brazilian Avant-Garde of last century's twenties called Anthropophagy. It actually consists of a device that differentiates into four distinct operations with images and bodies: a) Bodies that devouir images; b) images that devouir images; c) bodies that devouir images and d) images that devouir bodies. Thus, an iconophagy, apart from na anthropophagy, it is also constituted. 

https://doi.org/10.12795/comunicacion.2003.v01.i02.07
PDF (Español (España))

References

ANDRADE, Oswald (1972): Obras completas, Vol. VI Do Pau-Brasil à Antropofagia e às Utopias. Manifiestos, teses de concursos e ensaios. Rio de Janeiro: Civilização Brasileira.

ASSMANN, Jan (2000): Der Tod als Thema der Kulturtheorie. Frankfurt: Suhrkamp.

AUMONT, J. (1990): L'image. Paris: Nathan.

BAITELLO, N. (2000): "As imagens que nos devoram". In. www.sescsp.com.br/(Imagen e Violência)

BAITELLO, N. (2001): "A mídia e a sedação das imagens". In: A criança na contemporaneidade e a Psicanálise. Mentes & Mídia. Org.: Comparato, M.C.M./Monteiro, D.S.F..S.Paulo: Casa do Psicólogo.

BELTING, Hans. (2000): Der zweite Blick. Bildgeschichte und Bildreflektion. München: Fink.

BOORSTING, Daniel J. (1961): The image of What happened to the American Dream. N.York: Atheneum.

CYRULNIK, Boris. (1999): Do sexto sentido. O homem e o encantamento do mundo. Lisboa: Instituto Piaget.

FLUSSER, Vilém (1997): Medienkultur. Frankfurt: Fischer.

HARLOW, Harry. (1972): "Love created, love destroyed, love regained". In: Modèles animaux du comportement humain. Coloques Internationaux du CNRS. Paris: Éditions du CNRS.

KAMPER, Dietmar (1994): Bildstörungen. Im Orbit des Imaginären. Stuttgart: Cantz.

KAMPER, D./WULF, Ch. (1994): Anthropologie nach dem Tode des Menschen. Frankfurt: Suhrkamp.

KLOOCK, D./SPAHR, A. (2000): Medientheorien. Eine Einführung. München: Fink. 2a. ed.

KRAUS, Karl. (1969): Die Sprache. München: dtv.

LEROI-GOURHAN, A (1985): As religiões da pré-história. Lisboa: Ed. 70.

MORIN, E. (1970): L'Homme et la Mort. Paris: Seuil.

NEIVA Jr., Eduardo. (1994): A Imagem. S. Paulo: Ática.

PROSS, Harry (1983): La violência de los símbolos sociales. Barcelona: Anthropos.

SANDAY, P.R. (1986): Divine Hunger. Cannibalism as a Cultural System. Cambridge: C. Univ. Press.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2003 Norval Baitello Junior

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...