Memory/memories, cinema and society: the perspective of Argentine cinema

Abstract

Using the images that the film proposes access to versions of the/s history/s that explain in one way or another the way of being of a country and are another possibility, a more- of knowing how it works in the memory of that society. This is why the media device is part symbolically in the set of speeches in the own of a culture to show us how it works the discursive frame and see us - technical - situations that sometimes we have forgotten or do not wish to remember.