Mediatised reality: the reality show
PDF (Español (España))

Keywords

Televisión
tele-realidad
Reality-show
audiencia
espectador classic cinema
television
hearing

How to Cite

Perales Bazo, F. (2022). Mediatised reality: the reality show. COMMUNICATION. International Journal of Audiovisual Communication, Advertising and Cultural Studies, 1(9), 120–131. https://doi.org/10.12795/comunicacion.2011.v01.i09.13
Views
  • Abstract 1554
  • PDF (Español (España)) 1183

Abstract

The impact of reality TV in the audience has helped researchers interested in studying gender and establish their influence on the viewers. Following a survey carried out to college students, Kristin M. Barton established the correlation between different TV shows that fit the format. Its presence has been imposed in such a way that has become a landmark in television programming, one of the instruments used in war hearings. This paper seeks to answer on certain questions arising from the analysis of programs that fit the format and the profile of a sector faithful viewers. Where reality ends and where fiction begins? Do reality shows have influenced the teenager cultural and emotional formation? What are the key values to participate as contestants?

https://doi.org/10.12795/comunicacion.2011.v01.i09.13
PDF (Español (España))

References

ABELMAN, R. (1987): “Religious television uses and gratifications”,en Journal of Broadcasting and Electronic Media, 31(3), 293-307.

ANDREJEVIC, M. (2003): “Reality TV: The work of being watched”. Lanham, MD: Rowman & Littlefield Publishers.

BABROW, A. (1987): “Student motives for watching soap operas”, en Journal of Broadcasting and Electronic Media, 31(3), 309-321.

BARTON, K., & RANEY, A. A. (2002, August): “Disposition and ethnicity in competition-based reality television programming: An examination of the effects on viewer enjoyment”, Presented at the annual meeting of the Association for Education in Journalism and Mass Communication, Miami, FL.

BLUMLER, J. G., & KATZ, E. (Eds.) (1974): “The uses of mass communications: Current perspectives on gratifications research”. London: Sage Publications.

COLOMBO, F. (1997): “Últimas noticias sobre el periodismo”. Manual de periodismo internacional. Barcelona: Editorial Anagrama.

DE PABLOS COELLO, J. M. (2001): “El periodismo herido”. Madrid: Foca Investigación.

DÍAZ, L. (1999): Informe sobre la televisión en España (1989-1998): la década maldita. Barcelona: Ediciones B.

ECO, U. (1995): “Apocalípticos e integrados”. Barcelona. Tusquets Editores.

EIGHMEY, J., & McCORD, L. (1998): “Adding value in the information age: Uses and gratifications of sites on the World Wide Web”, en Journal of Business Research, 41(3), 187-194.

FOUCAULT, M. (1976) Histoire de la sexualité, I. La volonté de savoir, Paris, Gallimard.

GORDILLO, I. (2009a): La hipertelevisión: géneros y formatos. Quito – Ecuador, editorial “Quipus”, CIESPAL.

GORDILLO, I. (2009b): Manual de narrativa televisiva. Madrid, Editorial Síntesis.

GORDILLO, I. y RAMÍREZ, M.M. (2009): “Fórmulas y formatos de la telerrealidad. Taxonomía del hipergénero docudramático” en LEÓN, B. (coord.): Telerrealidad. El mundo tras el cristal. Sevilla, Comunicación Social. Ediciones y Publicaciones.

HILL, A. (2005). Reality TV: Audiences and Popular Factual Television, London, Routledge.

LACALLE, C. (2001): El espectador televisivo. Los programas de entretenimiento. Barcelona, Editorial Gedisa.

LASSWELL, H. (1948): “The structure and function of communication in society”, In

L. Bryson (Ed.), The communication of ideas (pp. 37-51). New York, NY: Institute for Religious and Social Studies

LEÓN GROS, T. (2005): “El periodismo débil”. España: Editorial Almuzara.

LEVY, M. R. (1980): “Program playback preferences in VCR households”, en Journal of Broadcasting, 24(3), 327-336.

NÚÑEZ , M. y PARÉS I MAICAS, M. (2006): “Los orígenes deontológicos de la FAPE y El autocontrol de la información”, en Cuadernos de Periodistas 6 abril 2006. Madrid: Delegación de Publicaciones de la A.P.M.

PÉREZ, C. (2003): “Libert@d de expresión en España”, en Nuevas Tecnologías y Sociedad de la Información. Madrid: Fundación Autor/SGAE.

PERIS, A. (2009): “Entre lo real y el sensacionalismo” en LEÓN, B. (coord.): Telerrealidad. El mundo tras el cristal. Sevilla, Comunicación Social. Ediciones y Publicaciones.

PIZARROSO, A. y RIVERA, J. (1994): “Corazones de papel: Sensacionalismo y prensa del corazón en España”, Barcelona, Planeta.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2011 Francisco Perales Bazo

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...