The Morancos and the videoclips. From Omaíta to Despacito

Authors

  • Jose Rafael Ramos Barranco Université Sorbonne Nouvelle Paris 3

DOI:

https://doi.org/10.12795/RiHC.2020.i15.07

Keywords:

medios de comunicación, medios de difusión, humor, intencionalidad política, variaciones de canciones, televisión, redes sociales.

Abstract

In this work the textual and visual variations of the humorous videos of Los Morancos are analyzed, which are a Sevillian comic duo composed of the brothers César and Jorge Cadaval, in which themes of current Spanish politics are parodied. To do this, the artistic evolution of these comedians is studied to see if it is an innovative phenomenon within their scenic approach or is it an aspect that they have already developed from the beginning. In the same way, we ask ourselves if it is a particularity of these two artists on the Spanish scene or, on the contrary, if it falls within an artistic continuity of Spanish humorists that reached its peak in the two decades of the 21st century. However, although they are not the pioneers of this phenomenon in Spain, we address the causes of the success they have achieved with the textual and visual variations of fashionable songs that place the cultural and political reality of Spain, as well as the broadcasting channel that has moved from television to the internet, promoting greater immediacy and encompassing a much wider audience.

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Author Biography

Jose Rafael Ramos Barranco, Université Sorbonne Nouvelle Paris 3

Doctor en estudios hispánicos por la Universidad de Sorbonne Nouvelle Paris 3

Published

2021-01-07

How to Cite

Ramos Barranco, J. R. (2021). The Morancos and the videoclips. From Omaíta to Despacito. RIHC. Revista Internacional De Historia De La Comunicación, (15), 130–147. https://doi.org/10.12795/RiHC.2020.i15.07
Received 2020-09-28
Accepted 2020-11-11
Published 2021-01-07
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