Vol XIII - Fascículo 2

Artículos

• Introduction/Introducción

  Manuel Almagro Jiménez, José Carnero González, Brian Crews, Jesús Lerate de Castro

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• Angela Carter's “John Ford’s ‘Tis a Pity She’s A Whore”: A schizoid Text

  Leonor Acosta

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• ¿Qué he hecho yo para merecer esto? (O cómo acabé en Postmodernos Anónimos): La percepción de la postmodernidad en la prensa española

  Manuel Almagro Jiménez

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• American Psycho or Postmodern Gothic

  Sonia Baelo Allué

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• From Horror to Humour: Tracing parody in Joseph Heller’s "Catch-22"

  María del Pilar Berruete Rodríguez

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• La lengua del otro: política y erótica de la traducción

  Ángeles Carreres

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• Changing Views: The Chaotic Postmodern and the Old Strategies of Realism in the American Novel

  Francisco Collado Rodríguez

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• Absent Value and Postmodernism

  Brian Crews

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• Literary Strange Attractors in Edith Wharton’s "The Age of Innocence"

  Janet Dawson

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• Movies, Memories and Merriment. Making Postmodern Spaces in Los Angeles

  Greg Dickinson

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• Ghosts; or the Postmodern and the Posthumous

  Thomas Docherty

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• Latina Narrative as Postmodernist Ethnic Commodity: New Sites of Rupture, Ambivalence and Playfulness

  Antonia Domínguez Miguela

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• Searching for Roots: Surrealist Dimensions of Postmodern Fiction

  Maria-Sabina Draga-Alexandru

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• Female Identity and Storytelling in Louise Erdrich's Tracks and Amy Tan's "The Joy Luck Club"

  Mar Gallego

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• Caos y (seudo-)memoria(-s) en “The Scarlet House” de Angela Carter

  Inmaculada García Barrera

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• (RE)visiones del héroe postmoderno: "The Purple Rose of Cairo", "The Truman Show", y la cultura de masas

  María M. García Lorenzo

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• A Postmodern Realism?: The Struggle of Narrative Styles in Russell Bank's "Trailerpark"

  Óscar Ibáñez Muñoz

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• La venganza del texto: Expropiación de lo explícito

  Ana León Távora

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• Popular Media and Postmodernism in the Age of the TV Talk Show

  Christoph Lindner

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• “Beating back the Past”: Toni Morrison’s "Beloved" as Historiographic Metafiction

  Mª Lourdes López Ropero

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• Counterlight: Mimesis, Potentia, and Praxis in the Making of the Postmodern Subject

  Philip Lorenz, Margherita Pascucci

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• "Regeneration" de Pat Barker: Una visión crítica de la Primera Guerra Mundial

  Verónica Pacheco y Costa

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• “The opposite sex is .... neither!”: Queering the Postmodern or Fucking with Gender

  Juan Carlos Hidalgo, Carolina Sánchez-Palencia

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• Greenwich Meanings: Clocks and Things in Modernist and Postmodernist Fiction

  Randall Stevenson

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• Julian Barnes and Bauman's Tourist: Superficiality and Postmodernism

  John Style

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• Dueling Paradigms: Politics and Pedagogy in a Postmodern Discipline

  Paul Witkowsky

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• Mapping the Self in Fleur Adcock’s Poetry: From a Postmodernist Sensibility to Postmodern Feminism

  Carmen Zamorano

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