The sun never shines in Dogville
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Keywords

cine clásico
cine postclásico
Dogville
El sol siempre brilla en Kentucky
ley simbólica
violencia
pulsión
escena central
fin
muerte
sentido classic cinema
postclassic cinema
Dogville
The Sun Shines Bright
symbolic law
violence
drive
central scene
the end
death
sense

How to Cite

Casanova, B. (2022). The sun never shines in Dogville. COMMUNICATION. International Journal of Audiovisual Communication, Advertising and Cultural Studies, 1(3), 31–38. https://doi.org/10.12795/comunicacion.2005.v01.i03.01
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  • Abstract 110
  • PDF (Español (España)) 52

Abstract

The question, in the present article, is to confront two movie texts and exploring the difference between the classic cinema and postclassic one. The first text is Dogville, postclassic film directed by Lars von Trier in 2003; the second one, The Sun Shines Bright, film of the classic epoch of Hollywood directed by John Ford in 1953. The textual analysis of the beginning of Dogville and of the center and the end of both films, allows us to see the differents representations of the violence, the sexual relation and the death.

https://doi.org/10.12795/comunicacion.2005.v01.i03.01
PDF (Español (España))

References

GONZÁLEZ REQUENA, Jesús y ORTIZ DE ZÁRATE, Amaya (1995): El spot publicitario. Las metamorfosis del deseo, Madrid, Cátedra.

GONZÁLEZ REQUENA, Jesús (1996): “Clásico, Manierista, Postclásico”, en Área cinco, nº 5, 1996.

GONZÁLEZ REQUENA, Jesús (2004): “El Héroe y la Mujer. A propósito de San Jorge y el dragón, de Paolo Uccello”, Trama y Fondo nº 16, Asociación cultural Trama y Fondo, Madrid.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2005 Basilio Casanova

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