THE DESTRUCTION OF FORMS

Abstract

This essay would like to be a study on the process of destruction of forms followed in modern art from impressionism, as seen by Maria Zambrano. It is therefore, together with an analysis of the question set out in the title, the research on a plot of the work of Mª Zambrano that has not so far received the necessary attention by the critics. The interest of this subject lies not so much in the formulations that we can find on contemporary art in this author, but in the importance that such a question, apparently marginal within his production because it is not a specific subject of any book, has for a complete understanding of your thinking.