Keywords
Vestimenta Taína
Vestimenta neoclásica
Moda
Periodo directorio
Colonización Caribeña Cultural appropriation
Taino Dress
Neoclassical Dress
Fashion
Directory period
Caribbean Colonization
How to Cite
- Abstract 134
- DESCARGA PDF (Español (España)) 103
Abstract
La moda neoclásica definió su aspecto diáfano al revivir y buscar capturar el espíritu de la antigua civilización romana y las estatuas griegas, una influencia fomentada por la excavación de Pompeya en 1738 y sus desarrollos arqueológicos en 1748. Las actitudes hacia las modas voluminosas y pomposas habían cambiado, sin embargo, la aceptación de la nueva silueta moderna y mucho más reveladora no se produjo sin desafíos. Para que la moda neoclásica fuera aceptada, necesitaba una base que la hiciera plausible, y necesitaba un pionero que la usara y la considerara "apropiada". Este estudio construye un análisis comprensivo de algunas de las relaciones que Francia, Inglaterra y otros países europeos construyeron con sus colonias en términos de manufactura textil, importaciones y exportaciones, y lo más importante, apropiación cultural. Este estudio busca analizar cómo aquellas colonias le dieron nuevas perspectivas a la moda, con el fin de desarrollar las modas neoclásicas, que reconocemos de ese período. Además, este estudio analizará la poderosa influencia de Josefina Bonaparte y otras importantes figuras femeninas de la Francia neoclásica, en la perpetuación y expansión del uso de estos tejidos y estilos; lo más importante es el origen caribeño de Josephine y su posible preferencia por las telas más ligeras debido a su nacimiento en la isla de Martinica, y cómo eso influyó en su enfoque sofisticado y cosmopolita de la moda.
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