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Núm. 12 (2007)
Núm. 12 (2007)
Publicado:
2018-03-22
Articles
'Re-borderisation’ in the South-Western Novels of Ana Castillo and Cormac McCarthy
Peter Carr
PDF (English)
Gay Men Only, Please!: The ‘Performance’of Gay Identity in Terrence McNally’s Love! Valour! Compassion!
Alfonso Ceballos Muñoz
PDF (English)
Smoke and illusions: An Interview with Paul Auster
Jesús Angel González González
PDF (English)
Elizabeth Stuart Phelps (1844-1911): the Presence of Medical Subjects in Her Literary Works
María Dolores Carmona Carrrión
PDF (English)
The Importance of Being Famous: Romance and Self-Identity in Woody Allen’s Celebrity (1998)
Beatriz Oria Gómez
PDF (English)
Wasteland Scenery and Technological Suicide in Kurt Vonnegut’s Apocalyptic Narrative: Admonishment and Exhortation
Francisco Javier Vallina Samperio
PDF (English)
Reviews
La narrativa popular de Dashiell Hammett: ‘Pulps’, cine y cómics. Valencia: Universitat de València, 2004
Jesús Angel González López
PDF (English)
Información
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English
Español (España)
Palabras clave
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MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
110
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
101
‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
77
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
77
“Faggot, Fairy, Pansy… Queer”: Gay/Queer Confrontations in Mart Crowley’s The Boys in the Band
71