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Núm. 15 (2011)
Núm. 15 (2011)
Publicado:
2018-01-29
Articles
Divine communications in a Time of Revival: Jonathan Edwards’ Use of ‘Light’ and ‘Water’ Imagery during the Northampton Revival, 1734-35
Juan Sánchez Naffziger
PDF (English)
The Challenge of Going Transethnic: Exploring American Autobiography in the Twenty-First Century
Begoña Simal González
PDF (English)
A Land of Despair and Change: Landscapes of Wealth and Poverty in Selected Plays of Naomi Wallace
Helen Huff
PDF (English)
“Himself armed with a lance:” Mythologizing Transmigrant Experience in Paule Marshall’s the Fisher King
Rebeca Gualberto Valverde
PDF (English)
A Boundary-dissolving Binding: The Eclectic Composition Underlying the First Edition of Leaves of Grass
José Manuel Rodríguez Herrera
PDF (English)
Comparing F. D. Roosevelt and B. H. Obama in Developing Welfare
Carmina Serrano Lanzuela
PDF (English)
Reviews
Arthur Miller’s Global Theater. Ed. by Enoch Brater
Ramón Espejo Romero
PDF (English)
Trabajo. Un relato de vivencias. Louisa May Alcott. Ed. Carme Manuel
María Isabel Porcel García
PDF (English)
Información
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Idioma
English
Español (España)
Palabras clave
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‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
122
MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
117
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
102
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
83
“Faggot, Fairy, Pansy… Queer”: Gay/Queer Confrontations in Mart Crowley’s The Boys in the Band
70