Kafka y la comedia: una lucha formal contra la opresión

Authors

DOI:

https://doi.org/10.12795.03

Keywords:

Kafka, comedy, politics, law

Abstract

Through the study of the behaviour of the protagonists in the work of Franz Kafka, we will try to expose the control mechanisms used by the administrative authorities, providing at the same time with an antidote to uncritical submission. A thorough observation of the configuration of diegetic situations will allow to reverse the situations of forced compliance to proffer, in the voice of the so-called secondary figures, a critical understanding to enable the recovery of individual freedom.

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References

Roland Barthes, S/Z, Paris, Seuil, Point Essais, 1970.

Albert Camus, Le mythe de Sisyphe, Paris, Gallimard, Folio/Essais, 1942.

Pascale Casanova, Kafka en colère, Paris, Seuil, Fiction & Cie, 2011.

Gilles Deleuze, Félix Guattari, Kafka. Pour une littérature mineure, Paris, Minuit, Critique, 1975.

Saul Friendländer, Kafka. Poète de la honte (trad. de Nicolas Weill), Paris, Seuil, 2014.

Franz Kafka, Der Prozeß, Frankfurt am Main, Suhrkamp Taschenbuch, 1998.

Franz Kafka, Das Schloss, Frankfurt am Main, S. Fischer Verlag, 2008.

Michel Meyer, Le comique et le tragique: penser le théâtre et son histoire, Paris, PUF, 2003.

Arthur Schopenhauer, El mundo como voluntad y representación (trad. de Pilar López de Santa María), Madrid, Trotta, 2003.

Published

2022-04-20

How to Cite

Héctor, G. (2022). Kafka y la comedia: una lucha formal contra la opresión. Araucaria, 24(49). https://doi.org/10.12795.03

Issue

Section

Las ideas. Su política y su historia
Received 2021-12-22
Accepted 2022-01-05
Published 2022-04-20
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