Ethno-iconographic Vogue’s editorials (1948-2016): an approach to cultural diplomacies

Autores

  • Ana Llorente Villasevil Centro Universitario Villanueva (Universidad Complutense de Madrid)
  • Paloma Díaz Soloaga Universidad Complutense de Madrid

DOI:

https://doi.org/10.12795/RiHC.2018.i11.09

Palavras-chave:

Fashion magazines, photography, ethnography, cultural studies, cultural diplomacy.

Resumo

This article offers an overview of a seminal research that has laid its foundations in a systematization of the messages emerging from the interface between different cultures through fashion communication and image making. It delves into a semantic study on the variety of compositions related to ethno-iconography that have been developed by western editions of Vogue since 1948. In parallel, it examines the continuity of their visual discourses by recent non-western editions. It explores the relation between the functions of the fashion magazines per se, and those of the travel magazines, ethnographic photography and even documentary photojournalism. From this interpretative framework, the study assess the potential of fashion magazine as an instrument that provides visibility to social realities and that acts as triggers of critical reflection and agents capable of establishing inter-cultural relations.

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Biografias Autor

Ana Llorente Villasevil, Centro Universitario Villanueva (Universidad Complutense de Madrid)

PhD in History and Theory of Art from the Autonomous University of Madrid (UAM). Specialist in history and theory of dress, fashion, and architecture, since 2015, Ana Llorente works as a professor for the Diploma in Fashion Communication and Management of Villanueva University Center (Complutense University of Madrid), Global Business School Madrid and ESNE (Camilo José Cela University). Editor since 2017 of the magazine Visión Doble of the University of Puerto Rico-Río Piedras, she has participated in the research project "The Art System in Spain: 1975-2005" (2008-2010, UAM). Beneficiary of the scholarships of Postgraduate Studies Program (2006-2008, UAM) and the University Teaching Training Program (2008-2012, FPU), her research has been developed in institutions such as Victoria & Albert Museum (2009), Royal College of Art of London (2010), Les Arts Décoratifs of Paris (2011). Her work has been disseminated in events such as Global Fashion Conference (Stockholm University, 2016), Association of Art Historians 40th Annual Conference (RCA, London, 2014), International Symposium "Is There (Anti-) Neoliberal Architecture?" (Graz University of Technology, 2011) or Postgraduate Seminar on "Fashion and Textiles" (RCA, 2010).

Paloma Díaz Soloaga, Universidad Complutense de Madrid

PhD, 2002 Complutense Univesity of Madrid, Spain. She is full Professor at Complutense University and head of the Degree Communication and Management of Fashion at Villanueva University (UCM). Visiting Scholar in Harvard University (2006), University of Illinois at Urbana Champaign (2009), University of California, San Diego - UCSD (2014) and the FIT (Fashion Institute of Technology) in NYC (various years). She is visiting professor in Glasgow Caledonian University since 2014 and is also the author of the book Communication and Management of Fashion Brands published by Editorial Gustavo Gili in 2014. Member of the editorial board of the Journals Fashion Marketing and Management and Communication Theory.

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Publicado

2018-12-15

Como Citar

Llorente Villasevil, A., & Díaz Soloaga, P. (2018). Ethno-iconographic Vogue’s editorials (1948-2016): an approach to cultural diplomacies. Revista Internacional De História Da Comunicação, 2(11), 151–176. https://doi.org/10.12795/RiHC.2018.i11.09

Edição

Vol. 2 N.º 11 (2018): Medios y Transiciones

Secção

Miscelánea

Licença

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