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Núm. 14: (2009/2010)
Núm. 14: (2009/2010)
Publicado:
2018-01-29
Articles
The Reyes Family or How to Devour a Girl’s Selfhood in Sandra Cisneros’s Caramelo
Candela Delgado Marín
PDF (English)
Unreliable Homodiegesis and the Trace of Influence: the Work of E.A. Poe
Miriam Fernández Santiago, Celia Wallhead
PDF (English)
“What Does It Mean to Be a Man?”: Codes of Black Masculinity in Toni Morrison’s Paradise and Love
Mar Gallego
PDF (English)
Clifford Odets and the Movies
Richard Hayes
PDF (English)
Crises Across the Board in Cormac McCarthy’s The Road
Aitor Ibarrola-Armendariz
PDF (English)
Tim O’Brien’s Problematic Truth: Traumatic Experience through Storytelling in “How to Tell a True War Story”
Byliana Vanyova Kostova
PDF (English)
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English
Español (España)
Palabras clave
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MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
116
‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
110
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
98
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
81
“Faggot, Fairy, Pansy… Queer”: Gay/Queer Confrontations in Mart Crowley’s The Boys in the Band
71