"MY BEARD IS MY OWN”: HERMAN MELVILLE’S BEARD POETICS IN HIS NARRATIVES OF MARITIME MASCULINITY
DOI:
https://doi.org/10.12795/REN.2023.i27.13Palabras clave:
Herman Melville, masculinity, beards, sea narratives, white-jacket, 19th century literatureResumen
Este artículo celebra el papel vital de la barba en las narrativas de masculinidad marítima de Herman Melville. Mientras los comentarios limitados sobre la barba se han centrado en el vello facial de Melville, este artículo pretende cambiar el enfoque que aparece en páginas de sus textos anteriores para explicar los matices en la poética de la barba (“beard poetics”) en desarrollo de Melville. Estos matices aparecen primero en Typee (1846), Omoo (1847) y Mardi (1849), tres textos que comienzan con la idea tradicional de la barba como un símbolo de “native otherness” antes de introducir la fuerza simbólica de la barba trenzada y exponer la importancia de la barba en las relaciones homosociales masculinas. Este hilo final es clave en los escritos más cargados sociológicamente, no más que en White-Jacket (1850). Desde el cultivo comunitario de las barbas a bordo del Neversink hasta los trágicos eventos de “La Gran Masacre de Las Barbas,” White-Jacketmuestra una aguda conciencia de los discursos de hegemonía jerarquía, poder y autoridad que subrayan el poder de la barba en el grado de masculinidad de los personajes de Melville en el mar.
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Aceptado 2023-10-23
Publicado 2023-12-21
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