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Vol. 24 (2020): Revista de Estudios Norteamericanos
Vol. 24 (2020): Revista de Estudios Norteamericanos
Publicado:
2020-12-25
Articles
POST-POSTMODERN CINEMA AT THE TURN OF THE MILLENNIUM: PAUL THOMAS ANDERSON’S MAGNOLIA (1999)
Jesús Bolaño Quintero
1-21
pdf (English)
BREAKING THE AUTOBIOGRAPHICAL PACT: TRUTH AND LIFE-WRITING IN ALISON BECHDEL’S FUN HOME
Maria Elena Carpintero Torres-Quevedo
23-46
carpintero pdf (English)
QUEERING AMERICAN SPACE IN PIRI THOMAS’ DOWN THESE MEAN STREETS: A GLISSANTIAN APPROACH TO KINSHIP
Mónica Fernández
47-66
fernández pdf (English)
Incorporating Ambiguity into Girlhood Experiences: Gender Stereotypes and Identity Negotiations in Mary Helen Ponce's Hoyt Street and Norma E. Cantú's Canícula: Snapshots of a Girlhood en la Frontera
Andrea Fernández-García
67-92
fernández-garcía pfd (English)
JACK LONDON, THE SOCIALIST DREAM OF A YOUNG POET
Jesus Isaias Gomez Lopez
93-112
gómez pdf (English)
THE SCHEME OF POTIPHAR’S WIFE: FROM CLASSICAL TRADITION TO EUGENE O’NEILL
Nasser Maleki, Zahra Nazemi, Gabriel Laguna Mariscal
113-134
maleki et al. pdf (English)
IRISH-AMERICAN PATRIOTISM: THE TRANSATLANTIC POLITICS AND HUMANIST CULTURE OF COLUM MCCANN
Alfred Markey
135-157
markey pdf (English)
USURPING THE VICTIM’S TRAUMA NARRATIVE: VICTIM-BLAMING AND SLUT-SHAMING ON SEASON 1 OF YOU
Dina Pedro
159-179
pedro pdf (English)
NEVER-AGING STORIES: AGE, MASCULINITY AND THE WESTERN MYTH IN SYDNEY POLLACK’S THE ELECTRIC HORSEMAN
Eva Pelayo Sañudo
181-201
pelayo pdf (English)
Translating African-American Neo-Slave Narratives: Black English in The Good Lord Bird and The Underground Railroad
Miguel Sanz Jiménez
203-226
sanz pdf (English)
Reviews
THE WEIGHT OF MEMORY: MEMORY FRICTIONS IN CONTEMPORARY LITERATURE, A REVIEW
Ana María Martín Castillejos
227-33
martín pdf (English)
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English
Español (España)
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‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
159
MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
129
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
104
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
72
Joy Harjo's Ethical Modes of Behavior Toward the Land
45