Slavery as National Trauma in Richard Ford's 'Everything Could Be Worse'
Palabras clave:
cripta, esclavitud, fantasma, posmemoria, raza, Richard Ford, traumaResumen
Este artículo explora la esclavitud como trauma nacional en “Everything Could Be Worse” (2014), de Richard Ford. En primer lugar, se lleva a cabo la conceptualización de la esclavitud como trauma, prestando atención a su papel en la formación de la identidad negra estadounidense contemporánea. Las categorías de ‘posmemoria’ (Marianne Hirsch), ‘fantasma’ y ‘cripta’ (Nicolas Abraham y Maria Torok) se presentan para facilitar el estudio de la opresión multigeneracional y la trasmisión del trauma. A continuación, una breve discusión de la cuestión racial en la ficción y no ficción de Ford contextualiza el análisis de “Everything Could Be Worse.” En esta novela corta, los efectos del trauma intergeneracional se perciben en los descendientes tanto de las víctimas como de los perpetradores de la esclavitud. Por último, se concluye que, a pesar de ciertas limitaciones, resulta evidente la creciente sofisticación con la que Ford trata la diferencia racial.
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Aceptado 2021-07-20
Publicado 2021-10-08
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