Martin Heidegger: two guidelines for the adequate introduction of Time in the problematic of Being – one aimed at the essence of modern Technique as Armature and the other aimed at the essence of Thought as Serenity
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Abstract
We attempt here a brief description of the way in which Heidegger grounds the essence of modern Technique as Armature [Gestell], which he conceives as a structural configuration of the Knowledge of the modern Era. Concomitantly, we approach the way in which the Philosopher establishes Serenity as the essence of Thought and thus offers a necessary counterpoint to the integral understanding of the Armature. We are guided by Heidegger's conception that Armature carries in itself, “like a photographic negative”, another figure of the essence of Being than the traditional Presence, established by Greek Thought. Such a figure is the Event – in Heidegger's view, the new Principle for approaching Being, from which Temporality is allowed to be approached as a determining factor of its essence.
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References
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