Platonic dialogue as dramatic phenomenology: an exercise of application throught a comparative reading of the initial situations of Eutidemo, Menón and Menexeno.
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Abstract
In the present work we try to advance and deepen an adequate understanding of the expression “dramatic phenomenology”, as used by Stanley Rosen in his interpretative studies of Plato’s work. Through a reading of the beginnings of three Platonic dialogues (Euthydemus, Meno and Menexenus) we will see how the choice of the form-dialogue forces us to question the selection of moments that the historical reception has tended to consider as philosophically Significant, by contrast to those considered as “merely literary” or scenic. A proper understanding of the concept of “dramatic phenomenology” absolutely precludes a strong distinction between these two moments.
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