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Núm. 2 (1993)
Núm. 2 (1993)
Publicado:
2019-09-26
Articles
http://institucional.us.es/revistas/estudios/2/art_1.pdf
Teresa Gómez Reus
PDF (English)
A Deadly Fascination: Heterology and Fascism in the Writings of George Bataille, Yukio Mishima, and Henry Miller
Caroline Blinder
PDF (English)
Strategies of Displacement in Flannery O'Connor's «The Displaced Person»
José Liste
PDF (English)
Two Failed Scientists: Tiempo de silencio's Pedro andpynchon's Pointsman
Carole A. Holdsworth
PDF (English)
A Definition of the New Woman Through Motherhood in Grace Paley's Short Stories
Anna Bagnari
PDF (English)
Frank Norris and F. Scott Fitzgerald as Romantic Rebels
Satyam S. Moorty
PDF (English)
The «Great Mother» in The Grapes of Wrath
Lorele Cederstrom
PDF (English)
What is Jazz in Toni Morrison's Jazz?
Ana María Manzanas
PDF (English)
Toni Morrison's Beloved:... 'and the past achieved flesh'
Angels Carabi
PDF (English)
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English
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MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
116
‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
110
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
98
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
81
“Faggot, Fairy, Pansy… Queer”: Gay/Queer Confrontations in Mart Crowley’s The Boys in the Band
71