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Núm. 3 (1994)
Núm. 3 (1994)
Publicado:
2019-09-26
Articles
«Community and Love: Understanding the Pastin Toni Morrison's Beloved»
María del Mar Gallego Durán
PDF (English)
Barth meets Borges in the Funhouse
Cristina Garrigós
PDF (English)
Freedom and Slavery at 124 Bluestone Road
Pilar Cuder Domínguez
PDF (English)
Transatlantic Identity and the Question of American Literature
Deborah L. Madsen
PDF (English)
Desperately Seeking Stereotypes: David Henry Hwang and M. Butterfly
Rocío G. Davis
PDF (English)
Women and the Mind of the South: Thomas Wolfe's Look Homeward, Angel (1929), and Richard Wright's Black Boy (1945)
María Frías
PDF (English)
Echo-Chamber of the American Stage
Daniel García Essig
PDF (English)
History and Theory as Contrary Forces: The African American Critical Debate
Jesús Benito Sánchez
PDF (English)
Pudd'nhead Wilsori: Mark Twain's Rejection of Comedy
Will Kaufman
PDF (English)
Reviews
Book Reviews
Multiple Authors
PDF (English)
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English
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Palabras clave
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MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
115
‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
110
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
99
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
79
“Faggot, Fairy, Pansy… Queer”: Gay/Queer Confrontations in Mart Crowley’s The Boys in the Band
71