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Núm. 6 (1998)
Núm. 6 (1998)
Publicado:
2019-09-23
Articles
Filling the Blank Page: A Comparison of Carson McCullers’ The Heart is a Lonely Hunter and Jerzy Kosinski's Being There
Constante González Groba
PDF (English)
Cat’s Cradle: The Apocalyptic Creativity of Kurt Vonnegut
Jesús Lerate de Castro
PDF (English)
Women But Not Sisters: Harriet A. Jacobs’s Angered Literary Reply lo Harriet B. Stowe
Carme Manuel
PDF (English)
A Bakhtinian Reading of William Faulkner’s As I Lay Dying
María Ruth Noriega Sánchez
PDF (English)
The Tunnel or the Poetics of Autonomy
Belén Piqueras
PDF (English)
Isaac’s Choice: The Romantic Dimension of Isaac McCaslin’s Freedom
Paul Scott Derrick
PDF (English)
Tenuous Feminism and Unorthodox naturalism: Kate Chopin’s UnIikely Literary Victory at the Close of the 19th Century
Aitor Ibarrola
PDF (English)
Joseph Urgo, Willa Cather and the Myth of American Migration
María José Manchón
PDF (English)
Reviews
Charles Olson, Collected Prose. Donald Allen and Benjamin Friedlander (ed.)
Julián López Medina
PDF (English)
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English
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Palabras clave
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MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
116
‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
110
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
98
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
81
“Faggot, Fairy, Pansy… Queer”: Gay/Queer Confrontations in Mart Crowley’s The Boys in the Band
71