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Núm. 21 (2017)
Núm. 21 (2017)
Publicado:
2018-06-26
Articles
Pauline E. Hopkins´s Intertextual Aesthetics in "Contending Forces"
Carme Manuel
PDF (English)
Parallel Deaths: Logic and Structure in the House of Poe
Manuel José Botero Camacho
PDF (English)
Individual and Collective Identity: Dorothy Allison's Literary Contribution to Demystifying the Poor Whites/'White Trash' Stigma
Concepción Parrondo Carretero
PDF (English)
Home on the Border in Ana Castillo‘s "The Guardians": The Colonial Matrix of Power, Epistemic Disobedience and Decolonial Love
Malgorzata Poks
PDF (English)
"He Was in no Place and no Place Was in Him": Edward Dahlberg‘s Autobiographical Fictions as an Epistemology of Sites
Martín Urdiales-Shaw
PDF (English)
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
Trudier Harris
PDF (English)
Reviews
"Woman on Trial": Gender and the Accused Woman in Plays from Ancient Greece to the Contemporary Stage. Amelia Howe Kritzer and Miriam López Rodríguez Editors
Noelia Hernando Real
PDF (English)
"Life Lines: Writing Transcultural Adoption". John McLeod. London: Bloomsbury, 2015
Begoña Simal
PDF (English)
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English
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Palabras clave
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‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
122
MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
117
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
102
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
83
“Faggot, Fairy, Pansy… Queer”: Gay/Queer Confrontations in Mart Crowley’s The Boys in the Band
70