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Vol. 27 (2023)
Vol. 27 (2023)
Publicado:
2023-05-05
Sección especial: Game Over
Introduction
SPECIAL SECTION ON “GAME OVER!”: US DRAMA AND THEATER AND THE END(S) OF AN AMERICAN IDEA(L)
Noelia Hernando-Real, John Bak
pdf (English)
WHEN THE TRAGIC HERO SURVIVES;
OR, THE CASE OF PONTIAC IN ROBERT ROGERS’S PONTEACH (1766)
LUDWIG Sämi
pdf (English)
PLAYING GAMES/THE GAME IN TOMSON HIGHWAY’S REZ CYCLE
Ludmila Martanovschi
pdf (English)
The Party’s Over
Recounting the Past in American AIDS Plays
Charalampos Keivanidis
pdf (English)
Suzan-Lori Parks and Naomi Wallace in Relation: Playing the American Game for Real and Beyond
Sophie Koch
pdf (English)
English
Araceli González Crespán
pdf (English)
Playing House: Spatiality, Home, and Privacy in the Theatre of Jennifer Haley
Michael Hooper
pdf (English)
"Stop Trying to Win!" Continuity and Reframings in A Doll's House, Part 2
Julie Vatain-Corfdir
pdf (English)
Review of Evelyn Brown
Araceli González Crespán
pdf (English)
Articles
EARLY 20TH-CENTURY AMERICAN TRAVELERS AND ART DEALERS OF THE SPANISH ARTISTIC AND HISTORICAL HERITAGE: ARTHUR AND MILDRED STAPLEY BYNE AND THEIR DOUBLE LIVES AS PLUNDERERS AND TRAVEL WRITERS
José Ruiz Mas
pdf (English)
“ONE NIGHTMARE REPLACES ANOTHER”: TRAUMA AND MOURNING IN THE AGE OF TERROR THROUGH PAUL AUSTER’S TRAVELS IN THE SCRIPTORIUM AND MAN IN THE DARK.
Laura Rodríguez Arnaiz
pdf (English)
English
Ester Díaz Morillo
pdf (English)
"MY BEARD IS MY OWN”: HERMAN MELVILLE’S BEARD POETICS IN HIS NARRATIVES OF MARITIME MASCULINITY
Peter Ferry
pdf (English)
English
Martín Fernández Fernández
pdf (English)
Reviews
REVIEW OF ROSAS EN LA ARENA. LOS RELATOS DE SUSAN GLASPELL. NOELIA HERNANDO-REAL.
València: Universitat de València, 2022, pp. 248. ISBN: 978-84-9134-048-1.
Marta Fernández-Morales
pdf (English)
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Palabras clave
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‘WHATEVER DOESN’T KILL YOU SIMPLY MAKES YOU STRANGER’: FEAR IN THE CHARACTER OF THE JOKER IN THE DARK KNIGHT AND JOKER
122
MY YEAR OF REST AND RELAXATION IN A WORLD WITH NO REST NOR RELAXATION: NARRATIVE PROSTHESIS AND HYPERREALITY IN OTTESSA MOSHFEGH’S NOVEL
117
The Limits of Lovemaking and Community: Infertility in "Their Eyes Were Watching God"
102
“Corporeal Activism in Elizabeth Acevedo’s The Poet X: Towards a Self-Appropriation of US Afro-Latinas’ Bodies”
83
“Faggot, Fairy, Pansy… Queer”: Gay/Queer Confrontations in Mart Crowley’s The Boys in the Band
70