English
Palabras clave:
Affect, Animation, Anthropocene, Colonialism, Hybridity, RelationalityResumen
Las fantasías del (post)apocalipsis son a la vez producto y productoras del Antropoceno, reproduciendo preocupaciones y temores que habitan nuestro imaginario inconsciente, al tiempo que nos proporcionan soluciones ineficaces a las actuales crisis. Sin embargo, las películas apocalípticas pueden incitarnos a anhelar algo diferente, concibiendo el desastre no como un final, sino como el comienzo de un mundo nuevo. Este artículo examina la serie Kipo and the Age of Wonderbeasts desde una perspectiva poscolonial, alegando que su premisa inicial refleja los temores occidentales actuales a la invasión y colonización inversas. A través de la inversión de las jerarquías humano/animal, esta serie cuestiona los legados del colonialismo dentro de nuestro presente Antropocéntrico. Sin embargo, a diferencia de otras narrativas postapocalípticas, esta serie presenta una resolución esperanzadora a estos temores utilizando nociones restauradoras de hibridación y relacionalidad más-que-humana para crear una sociedad posantropocéntrica que adopta el cambio y el devenir como valores fundamentales.
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