English
DOI:
https://doi.org/10.12795/REN.2023.i27.4Palabras clave:
E. A. Poe, música, poesía, adaptación, transmediación, écfrasis musical, siniestroResumen
Este artículo analiza el trasvase del lenguaje poético a la música, con el conocido poema de Edgar Allan Poe “The Raven” (1845) como foco de atención. Tras un breve estudio teórico sobre el lenguaje poético y cuestiones teóricas sobre transmediación y adaptación, se examinan diferentes piezas musicales instrumentales directamente inspiradas por los versos de Poe. Para ello, me baso en las innovativas investigaciones sobre transformación de medios de autores como Hutcheon y Elleström, cuyos trabajos proporcionan el marco teórico, y, especialmente Bruhn, quien ha escrito sobre la relación entre poesía y música y quien acuñó el término “musical ekphrasis” (écfrasis musical). Finalmente, sostengo que estos compositores transmedian “The Raven” empleando mecanismos musicales similares a los utilizados por Poe en su poema. Especialmente importante para este análisis serán la repetición y variación como estrategias propias de la “musical ekphrasis”, así como la re-presentación de lo siniestro en la música.
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Aceptado 2023-09-19
Publicado 2023-10-04
- Resumen 191
- pdf (English) 197
