GONZALO CARBÓ, A. The "dead man’s ear" (totengehör): deafening silence and self-annulment in the last music of b. A. Zimmerman. Fedro, Revista de Estética y Teoría de las Artes, [S. l.], n. 20, p. (168–200), 2020. DOI: 10.12795/Fedro/2020.i20.09. Disponível em: https://revistascientificas.us.es/index.php/fedro/article/view/12720. Acesso em: 18 jul. 2024.